Since its inception Mediobanca has promoted numerous publishing initiatives and sought to valorize its holdings in rare and precious books and documents.

    The “Vincenzo Maranghi” historical archive” was set up in 2012, and brings together some of the most important documents regarding Mediobanca’s history and activity, in both traditional and digital form.

    The Bank’s historical library was instituted in 2014, containing the works received as gifts by Enrico Cuccia and other members of the Bank’s management over the years from customers and correspondents.

    Mediobanca historical library

    Mediobanca’s historical library was set up in 2014, with the aim of making the Bank’s holdings of rare and precious volumes on the history of Italian and international economic analysis, collected over the years by Enrico Cuccia, Vincenzo Maranghi and Ariberto Mignoli, available to the public.



    “Vincenzo Maranghi” historical archive


    The Bank’s historical archive was named after Vincenzo Maranghi at its inception in June 2012.

    The archive may be consulted in digital format, is updated continuously, and contains documents on the Bank’s history and activity. In June 2014 the archive was declared as being of historical interest with reference to the Lombardy region’s code of cultural and natural heritage.




    Work began in the final months of 2014 on restoring the historical façade of the Accademia dei Filodrammatici theatre in Piazzetta Ferrari.

    ACCThe aim is to restore the façade’s decorative elements and plaster, to renew the glory of one of Milan city centre’s historical monuments.

    The Accademia dei Filodrammatici theatre is home to the Academy’s school of performing arts. The school, one of the oldest in Europe, has been open continuously since 1805.

    The Accademia dei Filodrammatici is one of the founding partners of École des Écoles, an international network set up to promote European co-operation for teachers and students of the performing arts.


    The Roman patrician domus



    Remains of a Roman domus beneath the courtyard of the Piazza di Spagna building came to light during restoration work carried out in 1999. Surviving artefacts include a bath, a mosaic floor, a wall fresco featuring the typical red of Pompeii, a triangular pedestal depicting the figure of a young girl in various poses, fragments of architraves and columns bearing floral motifs, and some lead piping clearly stamped with the maker's name. The fact that there was a bath there suggests the wealthy owners may have drawn water straight from the Virgin's Aqueduct, built by the Emperor Agrippa in 19 B.C. and named after a young girl who had pointed out a spring to soldiers searching for it. The aqueduct initially flowed underground, eventually coming out into the open air in the gardens of Lucullus, now Piazza di Spagna. The mosaic dates back to the fourth century A.D. and portrays two competing discus-throwers. The winner, who was probably the owner of the domus, is shown crowning himself with a laurel wreath, with the prize money of twenty sesterces lying in a purse at his feet.

    Starting from 2015, once a month Mediobanca will be publishing hitherto unseen views of ancient Rome. 

    La villa di Lucullo a Piazza di Spagna. Recupero e valorizzazione. Mediobanca 2004


    Publishing initiatives


    National edition of the complete works of Cesare Beccaria


    The project of bringing together all the great Lombard philosopher's works in one ground-breaking scholarly edition dates back to 1978. Many of Beccaria's writings were at that stage little known or unedited, but Mediobanca, with the whole-hearted support of Franco Venturi, Leo Valiani and Luigi Firpo, chose to honour the memory of Adolfo Tino, its Chairman of over twenty years' standing who passed away several months previously, with the launch of this National Edition. The dedication to Tino was far from casual, for his professional activities and private interests palpably reflected the dual ideals of justice and freedom, of desire for reform and involvement in public life, which so characterized the work of Beccaria two centuries previously. The project as a whole and the man to whose memory it was dedicated thus came to serve as a reaffirmation of Lombard Enlightenment ideology, as if to underline an ongoing commitment to the values and principles which in the eighteenth century had inspired one of the most fertile eras in the civic and intellectual history of Milan.

    An advisory committee for the Edition was soon formed, made up of Carlo Capra, Aldo De Maddalena, Luigi Firpo, Ariberto Mignoli, Letizia Pecorella, Leo Valiani, Franco Venturi and Sergio Zaninelli. Firpo chaired the committee with exemplary devotion until his death in 1989, when Gianni Francioni took on the duties of director and co-ordinator, a role he continues to perform with his customary skill and clear-sightedness to this day.

    The National Edition is not just a collection of Beccaria's complete works. It is a full critical edition, with proper philological apparatus including textual variants, appendices including previous manuscript and print editions, commentary and notes, and critical essays providing surveys of previous editions and setting out editorial criteria. The aim is to provide a full history of each of Beccaria's works, from the very first draft to the final print version published under his supervision. The Edition will have a total of 16 volumes, plus one final volume of addenda, documents and indices.

    The first two volumes appeared in 1984. Volume I contains Beccaria's most famous work Dei delitti e delle pene ('On Crimes and Punishments'), edited by Gianni Francioni, followed by a seminal bibliographical essay on Italian editions of the treatise by Luigi Firpo. Volume II brings together Beccaria's philosophical and literary works, consisting of articles he published in the famous literary review Il Caffé, the Ricerche sullo stile ('Questions of Style'), poems, reflections, philosophical musings and other minor writings, edited by Luigi Firpo, Gianmarco Gaspari and Gianni Francioni. In the broadly 'philosophical' section of the Edition this leaves Beccaria's economic works,  which will form volume III. The texts to be included are Beccaria's early work Del disordine e de' rimedi delle monete nello Stato di Milano nel 1672 ('On the Confusion of Currencies in the State of Milan in 1672 and Remedies Therefor'), his Discourse on Public Economy and Commerce which he delivered as his inaugural lecture upon taking up a chair at the Scuole Palatine in Milan, and the first critical edition of his posthumous Lezioni di economia pubblica ('Lectures on Public Economy'), which so far has only been available in the heavily adapted Custodi edition published in 1804.

    Volumes IV and V contain all Beccaria's correspondence. They were edited by Carlo Capra, Francesca Pino and Renato Pasta, and were published in 1994 and 1996 respectively. A total of 596 letters were brought together in chronological order. Of these 146 are by Beccaria himself, while the others, hitherto largely unpublished, were by his almost 200 correspondents, including some of the most famous names of the Italian and European Enlightenment. The circle of which they form part has been skilfully and painstakingly reconstructed by the volume editors, giving a wide-ranging and systematic historical overview of the cultural and social milieu of the time.

    Publication of the largest section of the Edition, Governance Documents, commenced with the appearance of vol. VI in 1987. This section fills volumes VI through to XVI, covering the years from 1771 to 1793. 'Governance Documents' are defined as the documents drawn up Beccaria from 1771 until his death, in his capacity as member of the Milan magistrature, which at the time was responsible for economic issues via its representation on bodies such as the Supreme Council for Economic Affairs and the Council for Political Administration. Rosalba Canetta, who is the general editor of the Beccaria Governance Documents series, brought this important and illuminating series to conclusion in December 2009 with the publication of the two-part volume XVI.

    There are over 6,000 Governance Documents , as compared with the barely 100 resolutions publicly available before the current Edition. The principle adopted was to include every document which has some connection with Beccaria’s role as public servant. This means the documents included are very wide-ranging, including notes on different cases, resolutions and full reports, minutes of meetings, official correspondence, votes, decrees, etc.

    Once published in full, this body of work will contribute significantly to documenting the intense activity of managing the state apparatus undertaken by the Milanese magistrature at the end of the eighteenth century, as well as highlighting Beccaria's crucial role in this new cultural and political milieu, where state administration and economic thought were becoming increasingly important.


    Enrico Cuccia: collected writings


    Published in 2007, and presented at Palazzo Reale in Milan on 4 December the same year on the centenary of Enrico Cuccia’s birth, the volume Mediobanca annual reports, 1947-82 brings together thirty-six of the reviews of operations penned by Cuccia which introduced the Bank’s financial statements, along with a short biography of the man himself and a brief history of Mediobanca.

    The volume also contains a memoir of Enrico Cuccia written by Vincenzo Maranghi and an introduction by the Bank’s present Chairman, Renato Pagliaro.


    The Mediobanca building in Milan

    This volume, published in 2013, recounts the history of the building in Via Filodrammatici, Milan which has been home to Mediobanca since 1946.

    Starting from the various renovations which the building has undergone over the years, the volume contains hundreds of photographs of details of the palazzo, ranging from antique items and the frescoes and decorations adorning its walls, and recounts the vicissitudes which affected the building itself and the families who lived in it, before and after ownership of it passed from the Visconti Ajmi to the Gnecchi family until it came to be owned by Mediobanca.

    Mediobanca building


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    Last update: 19/12/2014